Allowance

Chart notes

THEODORA GRACE was away awkwardly then taken in hand early, raced under vigorous restraint while rank along the rail through the first turn, was rated off the pace, drafted inside on the far turn, was asked near the quarter-pole, came out for room and brushed with a foe in upper stretch, chased into the final furlong, made a bid outside the sixteenth-pole and got up under strong handling. WHATLOVELOOKSLIKE was keen under stout restraint into the first turn, went three wide on that bend, settled off the pace, saved ground for most of the far turn then moved to the two path, shifted three wide into the stretch, brushed with a foe in the vicinity of the three-sixteenths, rallied into the final furlong, closed well to make a bid late and just missed while able to get the place. WATERVILLE went two to three wide around the opening bend, settled on the outside, traveled four wide while roused on the far turn, was corrected with a tug of the right-rein while leaning inward in upper stretch, rallied in the final furlong and closed well to just miss while narrowly able to get the show. DUFRESNE moved in while going to the front, showed the way under a snug hold on the inside, was given her cue leaving the backstretch, responded well when put to a right-handed crop in upper stretch, switched to a left-handed crop at the furlong marker, led to the sixteenth-pole then was overtaken and just missed the trifecta. FIST FULL OF DICE was rank against the hedge into the first turn, saved ground under a very snug hold around that bend, was reserved on the inside, came under urging outside the quarter-pole, turned into the stretch in the two path, chased into the final furlong, raced behind traffic into the final sixteenth then tipped out a path and finished willingly but missed the superfecta. MASTEROF THE TUNES was taken up while carried six wide into the first turn then dropped to the four path, settled off the pace, was asked while two then three wide around the far turn, brushed with a foe in the four path in upper stretch and improved position. SHE'S A MIA angled in while placed under a tight hold early, rounded the first turn in the two path, was reserved near the back, traveled in the two path on the far turn, was roused late on that bend, dropped to the hedge and cut the corner into the stretch, gained in some traffic into the final furlong, waited and steadied while stymied in the final furlong, altered out looking for room outside the sixteenth-pole, continued stymied to the wire and lost any chance. LOOKIN TO FLY broke a bit awkwardly, dropped back along the hedge early, settled on the inside, was roused on the far turn, swung five wide into the stretch and finished with late energy. SINFULLY SWEET came away in good order, raced towards the front down the initial straightaway, bumped with a rival into the first turn, moved from the three path to the two path around that bend, stalked outside down the backstretch, was asked in the two path on the far turn, brushed with a foe around the three-sixteenths, chased the leader under a drive into the final sixteenth and was out-kicked. CLASSIC LYNNE established a forward position early, bumped with a foe while four wide into the first turn then dropped to the three path, was rated just off the pace, came under urging in the three path on the far turn, chased into upper stretch and capitulated. TEMPERMENTAL broke out at the start, was taken up while carried seven wide into the first turn, dropped to the five path later on that bend, was reserved on the outside, came under urging in the four path on the far turn, was carried inward in upper stretch and was no factor. CANDY MONET was very rank under restraint early, bore out seven wide into the first turn and was taken up, dropped to the six path later on that bend, settled towards the rear, went four wide on the far turn, came six wide into the stretch then drifted in and failed to respond.