Result
| Fin | PP | Horse | Jockey / Trainer | start | 1/4 | 1/2 | 3/4 | stretch | finish | Margin | Odds | Fig |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 2 | Mikey's Song stalked, bid, driving | Juan Vargas | 2 | 2 | 3 | 2 | 1 | 1 | — | 7.40 | 33A E1 103 · LP 90 |
| 2 | 3 | To Be Loved by You clear, hooked, gamely | Efigenio Ruiz | 3 | 1 | 1 | 1 | 2 | 2 | ¼ | 0.30 | 22A E1 106 · LP 89 |
| 3 | 8 | Jess's Moment rail turn, mild rally | Frank Villaobos Gonzalez | 6 | 7 | 6 | 5 | 3 | 3 | 4¾ | 8.20 | 38A E1 93 · LP 90 |
| 4 | 1 | Wylda Wylde very wide into stretch | Ramon Moya | 1 | 5 | 4 | 4 | 4 | 4 | 9 | 11.90 | 9A E1 97 · LP 85 |
| 5 | 7 | Streets of Paris slow start, rail trip | Dexter Haddock | 8 | 3 | 2 | 3 | 5 | 5 | 14 | 19.90 | 16A E1 103 · LP 78 |
| 6 | 4 | Spanish Girl passed fading rivals | Amin Castillo | 7 | 8 | 8 | 8 | 6 | 6 | 14¾ | 25.70 | 13A E1 83 · LP 89 |
| 7 | 6 | Hop On Me far back throughout | Luis Ocasio | 4 | 6 | 7 | 7 | 7 | 7 | 21½ | 13.90 | 14A E1 89 · LP 80 |
| 8 | 5 | Eleanor Rigby gave way readily | Julio Correa | 5 | 4 | 5 | 6 | 8 | 8 | 23½ | 32.10 | 7A E1 94 · LP 78 |
How the race unfolded (position at each call; hover a line to follow one runner)
Fractional times
Call 123.94
Call 248.24
Call 31:14.44
Call 41:43.40
Final1:48.32
Payouts
| Bet | Winning numbers | Paid | Pool |
|---|---|---|---|
| win ($2) | 2 | $6.80 | — |
| place ($2) | 2 | $4.20 | — |
| show ($2) | 2 | $2.80 | — |
| exacta ($2) | 2-3 | $31 | $39,746 |
| place ($2) | 3 | $2.20 | — |
| show ($2) | 3 | $2.10 | — |
| trifecta ($0.50) | 2-3-8 | $24.95 | $21,161 |
| show ($2) | 8 | $2.80 | — |
| superfecta ($0.10) | 2-3-8-1 | $22.29 | $11,496 |
Chart notes
MIKEY'S SONG stalked the loose pacesetter, bid into the stretch and held rival safe following a long drive. TO BE LOVED BY YOU quickly sprinted away, was collared into the stretch and held on gamely to the finish. JESS'S MOMENT outrun early, angled inside on the final turn, moved back out in the stretch with a mild bid. WYLDA WYLDE broke alertly then eased back on the first turn, moved very wide in the stretch. STREETS OF PARIS broke slowest, prompted the pace inside then faded on the final turn. SPANISH GIRL trailed far behind then passed fading rivals. HOP ON ME lacked speed and raced far behind throughout. ELEANOR RIGBY moved close up briefly in the two path then gave way readily.