Result
| Fin | PP | Horse | Jockey / Trainer | start | 1/4 | 1/2 | stretch | finish | Margin | Odds | Fig |
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 5 | Richiesinthehouse repelled bids,kick awy | Antonio Gallardo | 1 | 1 | 1 | 1 | 1 | — | 1.80 | 97B E1 124 · LP 120 |
| 2 | 4 | Sanpirodu rail bid for place | Willie Martinez | 5 | 5 | 5 | 4 | 2 | 3 | 9.90 | 60B E1 103 · LP 124 |
| 3 | 2 | Housebuilder bid turn,repelled uppr | Brandon Tapara | 4 | 3 | 2 | 2 | 3 | 3½ | 1.30 | 74B E1 119 · LP 113 |
| 4 | 3 | The Sinner Is You tracked, mild interest | Martina Rojas | 3 | 4 | 4 | 3 | 4 | 3¾ | 2.30 | 88B E1 110 · LP 120 |
| 5 | 1 | Con On the Run pressed pace, gave way | Eddie Dominguez | 2 | 2 | 3 | 5 | 5 | 10 | 27.20 | 74B E1 122 · LP 106 |
How the race unfolded (position at each call; hover a line to follow one runner)
Fractional times
Payouts
| Bet | Winning numbers | Paid | Pool |
|---|---|---|---|
| win ($2) | 5 | $5.60 | — |
| place ($2) | 5 | $3.60 | — |
| show ($2) | 5 | $2.20 | — |
| exacta ($2) | 5-4 | $31.80 | $15,817 |
| place ($2) | 4 | $6 | — |
| show ($2) | 4 | $3.60 | — |
| trifecta ($2) | 5-4-2 | $83 | $9,004 |
| show ($2) | 2 | $3.20 | — |
| superfecta ($2) | 5-4-2-3 | $98.60 | $5,655 |
Chart notes
RICHIESINTHEHOUSE set the pace under steady pressure while well in hand, disposed of the early presser into the turn, responded when challenged by HOUSEBUILDER nearing the quarter pole, repelled that one in upper stretch and kicked clear through the lane in a game effort. SANPIRODU broke a half a beat slow to be the trailer down the backside, was unhurried remaining the trailer to the top of the lane, cut the corner coming for home and closed well along the rail to gain the place. HOUSEBUILDER stalked the pace down the backside, rallied from three wide to challenge the pacesetting winner on the turn, battled to upper stretch and failed to keep pace in the lane. THE SINNER IS YOU tracked the leader through the turn, drifted wide into the lane and showed some late interest through the stretch. CON ON THE RUN pressed the pace to the turn and steadily gave way.