Result
| Fin | PP | Horse | Jockey / Trainer | start | 1/4 | 1/2 | 3/4 | stretch | finish | Margin | Odds | Fig |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 5 | She Can't Sing ins-2w,splt/bmp1/4,bid | Jareth Loveberry | 7 | 6 | 6 | 7 | 3 | 1 | — | 24.50 | 95A E1 87 · LP 105 |
| 2 | 1 | Pass the Plate brsh gt,crcle 7p,wandr | Marcelino Pedroza, Jr. | 9 | 9 | 9 | 6 | 1 | 2 | ¼ | 2.90 | 92A E1 80 · LP 105 |
| 3 | 3 | Abscond gaind 6p btw 5/16,vied | Adam Beschizza | 1 | 7 | 7 | 5 | 2 | 3 | ½ | 3.60 | 89A E1 85 · LP 105 |
| 4 | 9 | I Hear You hop,2p,6pupr,left lead | Tyler Gaffalione | 8 | 8 | 8 | 8 | 4 | 4 | 2 | 11.40 | 67A E1 83 · LP 104 |
| 5 | 8 | Amiche forced out,4p,tired | Brian Hernandez, Jr. | 3 | 3 | 3 | 3 | 5 | 5 | 8 | 4.40 | 65A E1 91 · LP 99 |
| 6 | 10 | Drapes outmvd 6p2nd,stayed on | Santo Sanjur | 5 | 4 | 5 | 9 | 7 | 6 | 11¼ | 8.40 | 72A E1 88 · LP 99 |
| 7 | 7 | Dawn's Dancer brkout,stalk 2w,faltrd | Jose Ortiz | 4 | 2 | 2 | 2 | 6 | 7 | 14¾ | 6.70 | 68A E1 96 · LP 94 |
| 8 | 4 | Out of Sorts 3-2p,ins 2nd,faded | Luis Saez | 6 | 5 | 4 | 4 | 8 | 8 | 19 | 8.90 | 67A E1 90 · LP 93 |
| 9 | 6 | Adelaide Miss clear 3p,bmp/caved 1/4 | Carlos Hernandez | 2 | 1 | 1 | 1 | 9 | 9 | 26¾ | 9.40 | 61A E1 98 · LP 87 |
How the race unfolded (position at each call; hover a line to follow one runner)
Fractional times
Payouts
| Bet | Winning numbers | Paid | Pool |
|---|---|---|---|
| win ($2) | 5 | $1 | — |
| place ($2) | 5 | $20.40 | — |
| show ($2) | 5 | $8.60 | — |
| Pick 3 ($0.50) | 5-6-5 | $418.25 | $52,958 |
| place ($2) | 1 | $4.60 | — |
| show ($2) | 1 | $3.20 | — |
| daily double ($1) | 6-5 | $74.60 | $43,003 |
| show ($2) | 3 | $3.40 | — |
| exacta ($1) | 5-1 | $99.20 | $264,326 |
| superfecta ($0.10) | 5-1-3-9 | $320.81 | $80,327 |
| trifecta ($0.50) | 5-1-3 | $147.65 | $140,581 |
Chart notes
SHE CAN'T SING settled off of the pace along the inside, tracked two wide and among foes around the far turn, split foes passing the quarter pole, bumped ADELAIDE MISS in the process, then charged along the rail to bid for the lead inside of a pair of foes at the furlong grounds, led a sixteenth out, and held to the wire. PASS THE PLATE brushed the inside part of the gate at the start, trailed the field, circled rivals with a seven wide blitz around the far turn, bid in upper stretch, led while lugging inwardly approaching the furlong grounds, then got headed at the sixteenth pole, and drifted a bit outwardly late while being bested. ABSCOND rated off of the pace along the inside, then three wide into the far turn, gained in the six path and between horses turning for home to vie for the lead in upper stretch, but was outkicked by an inner rival in the final furlong, and chased while not having enough to gain place. I HEAR YOU hopped at the start while breaking slowly, rated far back in the two path, trailed in the three path around the far turn after outer foes made moves, then shifted to the six path in upper stretch, and chased the leaders home while hanging on her left lead. AMICHE was forced outwardly at the start, tracked in the four path, stalked into the far turn, inched closer among foes turning for home, but was outkicked by rivals on either side in upper stretch, and tired in the final furlong. DRAPES tracked in midpack in the four to three path, but was outmoved by rivals on either side while in the six path around the far turn, trailed entering the lane, then stayed on in the final furlong. DAWN'S DANCER broke outwardly, stalked in the two path, prompted the leader from the outside while in the three path into the far turn, bid turning for home, lead very briefly entering the lane, then faltered between horses in upper stretch. OUT OF SORTS tracked from the three to two path around the first turn, tucked to the rail down the backstretch, but chased around the far turn before fading. ADELAIDE MISS set a clear pace with shifting to the three path into the first turn, showed the way in the two path into the far turn, but was bumped by the bidding eventual winner passing the quarter pole, and caved soon after.